Thursday, August 18, 2005
Scene 1
(A storeroom. A small, cluttered receiving desk sits DSL. The doorway leading to the salesroom is in the USR wall. Boxes upon boxes line the walls, and shelves; disappearing into the wings. A poster on the upstage wall reads "The House Of Bags: For All Of Your Carrying Needs!" Shadows lurk everywhere.
At Rise: the room is empty. Voices can be heard from the salesroom. DEB enters first, early forties, a woman on a mission. The boss. She is followed by MIKE. He is in his late twenties/early thirties. He's not bad looking, but he carries himself as if he's recently had his lunch money stolen.)
DEB
MIKE
DEB
MIKE
DEB
MIKE
MIKE
DEB
MIKE
DEB
MIKE
DEB
MIKE
DEB
MIKE
DEB
MIKE
DEB
MIKE
DEB
MIKE
WENDY
MIKE
(Without motioning.)
WENDY
MIKE
WENDY
MIKE
WENDY
MIKE
WENDY
MIKE
WENDY
Bags. You know, 'The House of Bags'. Do you like bags?
MIKE
WENDY
MIKE
WENDY
MIKE
WENDY
MIKE
WENDY
MIKE
WENDY
MIKE
WENDY
MIKE
WENDY
MIKE
MIKE
WENDY
MIKE
WENDY
At Rise: the room is empty. Voices can be heard from the salesroom. DEB enters first, early forties, a woman on a mission. The boss. She is followed by MIKE. He is in his late twenties/early thirties. He's not bad looking, but he carries himself as if he's recently had his lunch money stolen.)
DEB
I'm sorry I was late.
MIKE
It's okay.
DEB
Were you waiting long?
MIKE
A few minutes. I couldn't really sleep last night so I was up with the sun. I had just gotten here.
DEB
I'm sorry. I couldn't get the kids moving this morning. They missed the bus. I had to drive them to school. Traffic was lousy.
MIKE
I understand.
DEB
I usually don't make excuses. I hate excuses. I haven't been myself lately. Sorry.
MIKE
For what? (Beat.) So this is where I'll be, huh?
DEB
This is it. This'll be your office. That's your desk.
This is it. This'll be your office. That's your desk.
MIKE
It's perfect.
DEB
Any questions?
MIKE
When do the shipments usually arrive?
DEB
There's no telling. The normal delivery guy is really a delivery gal, and she can be a bit irregular.
MIKE
Irregular?
DEB
Sweet as can be just not entirely with it.
MIKE
I see.
DEB
Well, I have to go get the store ready to open. I'll be out front if you need me.
MIKE
I'll be okay.
DEB
I look forward to working with you.
MIKE
Me too.
DEB
I'm stern, but I'm fair.
MIKE
Nice to know.
DEB
Welcome to the 'House of Bags', Michael.
MIKE
Thank You. (DEB turns and exits. MIKE Surveys his new work space.) Well, here we are. (MIKE crosses to the desk and starts going through some paper work. It is completely un organized. From the stage left wings enters WENDY, the delivery gal. She wears a uniform, but not very well. Her shirt is unbuttoned, revealing a bright T-shirt. Her work boots are untied. Her cap is on crooked, and she's listening to head phones. She is young and believes herself to be a rebel. She is pushing a dolly of boxes.)
WENDY
Here we go; more boxes of bags! Where do you want them?
MIKE
(Without motioning.)
Over there.
WENDY
You new?
MIKE
Yeah, I'm Mike.
WENDY
I'm Wendy.
MIKE
Pleasure.
WENDY
First day.
MIKE
Very first.
WENDY
Do you like bags, Mike?
MIKE
Pardon?
WENDY
Bags. You know, 'The House of Bags'. Do you like bags?
MIKE
I've never really thought about. Why?
WENDY
It just seems like a funny place to work for someone like you.
MIKE
Someone like me?
WENDY
Yeah, what are you twenty something? Thirty something?
MIKE
Roughly.
WENDY
Exactly. Most of the people that work here are either college kids or retirees. There's not much glory in the bag business.
MIKE
No, I suppose not.
WENDY
Where's the boss lady?
MIKE
Up front. She kinda leaves me alone.
WENDY
Good for you. She nuts, you know? I'm serious, she's gotta a screw loose or something. She's gotten real uptight lately?
MIKE
Lately?
WENDY
Yeah, she didn't used to be so bad.
MIKE
I'll take your word for it.
WENDY
It's the bags. They drive people insane.
MIKE
I'll keep that in mind, Wendy.
WENDY
You start off normal, then you become consumed with the world of bags. Paper. Plastic. Shopping. Brown. Colored. Little. Big. The next thing you know your hearing voices and claiming to be the god of thunder!
MIKE
What?
WENDY
Just talking. Don't mind me. Well, I gotta a few more boxes. I'll be right back. (She starts off.)
MIKE
Do you like bags?
WENDY
I hate them.
(Lights out.)
Scene 2
(Lights up. The room is empty. A mysterious figure appears from the stage right wings; among the boxes. He is dressed in a white, or light colored suit with a black string tie. He has a head of wild, white hair and a bushy mustache. He crosses to the desk and finds MIKE's brown bag lunch. He rifles through the bag and pulls out a sandwich. He opens the bag and takes a huge bite. Voices are heard offstage. The mysterious figure hurries off carrying the lunch. MIKE and DEB enter from the sales floor.)
MIKE
DEB
MIKE
DEB
MIKE
DEB
MIKE
DEB
MIKE
DEB
MIKE
DEB
MIKE
DEB
MIKE
DEB
MIKE
DEB
MIKE
DEB
MIKE
DEB
MIKE
DEB
MIKE
DEB
MIKE
DEB
(Lights out.)
MIKE
I'm sorry to bother you.
DEB
Don't be silly. I can spare a few minutes.
MIKE
I just wanted to ask you about a few things.
DEB
Shoot.
MIKE
How is the merchandise organized?
DEB
What do you mean?
MIKE
I've been trying to make sense out of the boxes back here, and as far as I can tell, there's really doesn't seem to be any discernible pattern to the storage.
DEB
No?
MIKE
No, it all seems to be just thrown together haphazardly and pushed against the walls or thrown on random shelves. It's a nightmare.
DEB
Yours or mine? Well, I tell you what, I trust you.
MIKE
What does that mean?
DEB
It means, I trust you to fix it. You can fix it?
MIKE
Sure.
DEB
Good. Let's just hope that once you have it all organized the ghost doesn't mess it all up again.
MIKE
The ghost?
DEB
I told you this storeroom is haunted, didn't I? Oh, don't be frightened. He's harmless. He just likes to play practical jokes, move things around and hide things for awhile.
MIKE
I see. Well, I'll keep an eye out.
DEB
It's just a little joke we all have. When something goes missing we blame it on the ghost. "Oops, I can't find my pen. I bet Bob took it. Hey, I bet Bob stole my watch. Bob must have pulled the fire alarm.""
MIKE
The ghost's name is Bob?
DEB
We named him Bob.
MIKE
Bob's a good name.
DEB
Well, I better get back up front. Next time you don't have to physically come and get me. Just dial me on the intercom like I showed you.
MIKE
The intercom? You didn't show me an intercom.
DEB
I didn't? On the phone?
MIKE
What phone?
DEB
The phone on your desk. (The two search the desk.) There used to be a phone here. What happened to the phone?
MIKE
What happened to my lunch?
DEB
Bob!
(Lights out.)
Scene 3
(Lights up. MIKE is organizing the store room. He moves boxes of bags from one spot to another. He is really working up a sweat. WENDY enters carrying a lone box.)
WENDY
MIKE
WENDY
MIKE
WENDY
MIKE
WENDY
MIKE
WENDY
MIKE
WENDY
MIKE
WENDY
MIKE
WENDY
MIKE
WENDY
MIKE
WENDY
MIKE
WENDY
MIKE
WENDY
MIKE
WENDY
MIKE
WENDY
MIKE
WENDY
MIKE
WENDY
DEB
MIKE
DEB
MIKE
DEB
MIKE
Thanks. (DEB exits. Mike reads the message and throws it onto the desk. MIKE kneels to examines the newest delivery.)
Wait a minute. Wrong box, Wendy. You delivered the wrong... (A strange noise is heard from off-stage right.) Hello? Is anyone there? (Suddenly a few boxes tumble from their precarious position.) Who's there? (A faint whisper of a child's laughter is heard.) Hello? (No answer.)
WENDY
How goes it, Mike?
MIKE
Wendy.
WENDY
What are you doing?
MIKE
Trying to get things in order here. It's taken a few days but I think I almost have things organized.
WENDY
Good for you. I've got one here for you.
MIKE
Thanks. (WENDY places the box down and MIKE signs her clipboard.)
WENDY
You doing okay?
MIKE
Yeah, why?
WENDY
You just look run down. Tired.
MIKE
Didn't sleep too well last night. That's all.
WENDY
If you say so. See you when I see you.
MIKE
Hey, can I ask you a question?
WENDY
You just did. Go ahead.
MIKE
Has Deb ever told you about Bob?
WENDY
The ghost? Do you like ghost stories? I know this great one about a old woman and her dog.
MIKE
Forget it.
WENDY
Okay, sorry, I was just kidding. Yeah, so boss lady thinks this place is haunted. I told you she's nuts.
MIKE
You don't think it is?
WENDY
I don't believe in ghosts. There's an explanation for everything.
MIKE
But I could swear sometimes it feels like I'm being watched.
WENDY
Paranoia.
MIKE
But I keep losing things.
WENDY
Senility.
MIKE
I've been hearing these noises.
WENDY
Rats.
MIKE
Don't say that. I hate rats.
WENDY
You have to ask yourself one important question. Why would a ghost be haunting the storeroom of 'The House of Bags'? Hmm?
MIKE
Maybe he's a angry consumer. (Beat.) You're right. I'm being silly.
WENDY
Don't worry, I won't tell anyone.
MIKE
Thanks.
WENDY
You bet. (DEB enters from the salesroom. She stops short when she sees WENDY.)
DEB
Hello.
WENDY
Back at you. Well, back to the grindstone.
(To MIKE.)
Don't worry you secrets safe with me. (Exits.)
DEB
Secret?
MIKE
Don't pay any attention to her. She's just playing around. Did you need something?
DEB
Yes, you had a phone call. She claimed to be your wife. I didn't know you were married.
MIKE
Almost a year now.
DEB
Oh, well you wife left you a message. Here.
MIKE
Thanks. (DEB exits. Mike reads the message and throws it onto the desk. MIKE kneels to examines the newest delivery.)
Wait a minute. Wrong box, Wendy. You delivered the wrong... (A strange noise is heard from off-stage right.) Hello? Is anyone there? (Suddenly a few boxes tumble from their precarious position.) Who's there? (A faint whisper of a child's laughter is heard.) Hello? (No answer.)
Great. I'm cracking up.
(Lights Fade.)
Scene 4
(Lights up. The mysterious figure appears from the stage right wings again. He crosses to the desk and finds another brown bag lunch. He rifles through the bag and pulls out a sandwich. He takes a bite and then stops. He finds a second lunch on the desk. He is confused. Just then MIKE enters from off-stage left. The two men just stare at each other for a few seconds.)
MIKE
BOB
MIKE
BOB
MIKE
BOB
MIKE
BOB
MIKE
BOB
BOB
MIKE
BOB
MIKE
BOB
MIKE
BOB
MIKE
BOB
MIKE
BOB
MIKE
BOB
MIKE
BOB
MIKE
BOB
MIKE
BOB
MIKE
BOB
MIKE
BOB
MIKE
BOB
MIKE
BOB
MIKE
BOB
MIKE
BOB
MIKE
BOB
MIKE
BOB
MIKE
(Sarcastic.)
BOB
MIKE
BOB
MIKE
BOB
MIKE
BOB
MIKE
(Defensive.)
BOB
MIKE
BOB
MIKE
BOB
I've noticed you don't wear the ring to work.
MIKE
BOB
MIKE
BOB
MIKE
BOB
DEB
MIKE
DEB
MIKE
DEB
MIKE
DEB
MIKE
Hello. (The mystery man resumes eating the sandwich in a nonchalant manner.) I noticed you seem partial to the egg salad. There's also some pretzels in there if you want. I'm Mike. Are you Bob?
BOB
There's two.
MIKE
Pardon?
BOB
Two lunches.
MIKE
Yeah, I need to eat too. I had some extra.
BOB
Thank you.
(Awkward silence.)
How are things working out for you here?
MIKE
Not bad. It's kinda mindless, you know, the work? A zombie could do it.
BOB
If you say so.
MIKE
You look familiar.
BOB
I'm sure I do.
MIKE
Do I know you?
BOB
You might.
MIKE
How long have you been here?
BOB
Not long.
MIKE
Sleep here?
BOB
Yes.
MIKE
You live here?
BOB
For the present.
MIKE
How long?
BOB
Not very.
MIKE
Why here?
BOB
What does it matter? What's with all the questions?
MIKE
Just curious. You know the manager thinks this place is haunted? Has anyone ever told you that you look just like... forget it.
BOB
What?
MIKE
Nothing.
BOB
You were saying I look like someone. Who do I look like?
MIKE
Uh, it's more of a resemblance.
BOB
Who do I resemble, then?
MIKE
It's silly. You're a dead ringer for Mark Twain.
BOB
Mark Twain?
MIKE
Yeah, he's an author. He wrote Huckleberry Finn. Tom Sawyer.
BOB
I know who Mark Twain is. I can read, books, even.
MIKE
I wasn't trying to imply-
BOB
No? His real name was Samuel Langhorne Clemens. He once said, "The coldest winter I ever spent was a summer in San Francisco".
MIKE
Okay, I'm sorry. But it's uncanny. You could get paid to show up at parties and be Mark Twain. You could be a professional Mark Twain Impersonator.
BOB
There's probably not a big future in that line of work.
(Awkward silence.)
What are you doing here?
MIKE
Shouldn't I be asking you that question?
BOB
Don't answer a question with a question! That's annoying. What are you doing here?
MIKE
What do you... I don't understand the question.
BOB
You college educated, Mikey? Yes? Grad School? Med School? Law School? (MIKE flinches.)
Law School, hmm. How did you do? Pass the BAR? Failed it? What are you doing working here, in a place like this? Why are you stacking boxes of bags for minimum wage? What are you hiding from?
MIKE
Who are you?
BOB
I'm Mark Clemens! I'm Samuel Twain.
MIKE
No, I mean-
BOB
I'm a ghost! I'm Bob!
(Pause.)
Still wet the bed, Mikey? How are those nightmares treating you?
MIKE
That's an odd question!
BOB
Do you? Wet the bed, I mean?
MIKE
(Sarcastic.)
No, I kicked that habit along time ago.
BOB
Not so long as all that, huh? Sixteen years old.
MIKE
What?
BOB
Nothing. Forget I said anything. So, 'The House of Bags', huh?
MIKE
It's a living.
BOB
There's not much glory in the bag business.
MIKE
That's fine by me.
BOB
Come on, don't you want more?
MIKE
(Defensive.)
What do you do?
BOB
A little of this, a little of that. Freelance. I'm my own boss.
MIKE
It must be nice.
BOB
There's worse things in the world. How's the marriage?
MIKE
It's good. She's great.
(Pause.)
How did you know I was married?
BOB
I've noticed you don't wear the ring to work.
MIKE
I don't want to lose it. What business is it of yours, anyway?
BOB
It's not.
MIKE
Who are you?
BOB
Just me. Little, old, hungry me. (BOB starts to exit off the way he came.) Better be going.
MIKE
Wait. Jeez, you really do look like Mark Twain. It's eery!
BOB
You've got to learn to focus. You're obsessed. Thanks for the sandwich. (BOB exits. MIKE just stares after him for a moment. DEB enters holding a phone.)
DEB
Hope I'm not interrupting. Here.
MIKE
What's this?
DEB
It's a phone.
MIKE
I know that, why are you giving it to me?
DEB
Well, as it turns out it didn't magically disappear. Herman, he's the young man with the glasses behind the counter, apparently borrowed it for a few days.
MIKE
He borrowed the phone?
DEB
Don't ask me, I'm not very happy with him right now. I don't understand these college kids. Looks like Bob didn't steal it. I guess there's no such thing as ghosts. Well, carry on. (She exits. Lights fade.)
Scene 5
(Lights up. MIKE sits at his desk. He is sifting through old pictures. BOB enters from the wings and patiently waits. MIKE doesn't notice his guest for several seconds.)
BOB
What are you looking for?
MIKE
(Startled.)
Holy Crap, you scared me! (BOB doesn't respond.) I'm just looking through some childhood photos. I don't really know why. I didn't sleep all that good last night and I ended up going through my closet and I found a box of pictures. That's me. (Showing a picture to BOB.) Nine, maybe ten years old. That's my cousin Bridget. She's older than me, obviously. She used to baby-sit me.
BOB
She was quite the looker.
MIKE
Was is right. She doesn't look nearly as good these days.
BOB
No?
MIKE
She's barely recognizable. Developed a pension for fried foods and daytime television. It's a cliché I know, but it happens. I haven't talked to her in years. We lost touch. But we had some good times growing up. (Pause. The question still remains, it has plagued him for days.) How did you know I was married?
BOB
Lucky guess. Why do you keep it a secret?
MIKE
I don't. I told you I don't want to misplace the ring.
BOB
Things not going so well?
MIKE
No, things are going great. Things are good. We could be better off financially...
BOB
Who couldn't?
MIKE
Exactly, who couldn't? We'll get by. We always manage to get by.
BOB
Good for you.
MIKE
I just... I just wish I felt... more like an adult. When I got married I thought I'd feel more grown up, but I don't. I still feel like that awkward, bumbling kid who never could do anything right when things came down to the wire. I get so frustrated. So stressed out.
BOB
No wonder you have nightmares.
MIKE
I guess.
BOB
You never outgrow the child you were, that's a common misunderstanding. You just get better at assuming the role everyone expects of you.
MIKE
That's a cheery thought. Maybe you're right.
BOB
Maybe. Maybe I'm not. Maybe everyone else does feel like a mature adult. Maybe you're the only freak that doesn't feel like he's making a healthy contribution to society. Maybe your an aberration.
MIKE
Maybe I am? How did you know about the nightmares?
BOB
What?
MIKE
You said 'No wonder' I have nightmares. How did you know about that?
BOB
You wouldn't believe me if I told you.
MIKE
You're just some bum; some local vagrant, hiding away in the stockroom.
BOB
I'm not the one who's hiding. Tell me about your nightmares. Tell me about Bridget and the elevator.
(The play takes on a surreal mood at this point. The actresses who play roles double here as the cast of MIKE's nightmares. It is intentional. There should be no attempt to disguise the characters. Also, while Mike converses and interacts with his childhood acquaintances he should not sound, or act like a small child. )
MIKE
The elevator. It's always comes back to that, doesn't it? I had forgotten all about it until the other night. I was ten years old, or around there, and my family was living in an apartment building. The elevator had a glass door. You couldn't see through it. It was frosted. Or cloudy. I guess it was popular back then. Anyway, one day I was riding in the elevator with Bridget and a dark, greasy shadow slid by the elevator door as we were going down. I saw it again on the way back up. I remember asking Bridget what it was. (WENDY steps in from the wings and is now, temporarily, Bridget.)
BRIDGET
It's Mrs. Parnell.
MIKE
The landlord's wife?
BRIDGET
That's right, Mikey. When was the last time you saw her? You haven't, have you? She fell into the elevator shaft and was squished. That's why we always tell you not to play near the elevator. It's dangerous.
MIKE
I didn't understand. I didn't know how old Mrs. Parnell had fallen into the elevator shaft.
BRIDGET
Maybe it was an accident. Maybe she jumped. Maybe she was pushed. Murdered.
MIKE
Murdered?
BRIDGET
Maybe Mr. Parnell offed her. We've all heard the way they scream and argue with each other. Maybe he snapped. That's bad news.
MIKE
Why?
BRIDGET
Because if she was murdered it means her soul can't rest in peace. She's a ghost now.
MIKE
She is?
BRIDGET
I'd bet my life on it. She's probably doomed to haunt this elevator for the rest of eternity.
MIKE
That's terrible.
BRIDGET
That's not even the worse part, Mikey. I'd be careful if I were you. There's nothing a ghost likes better than to find and gobble up naughty children.
MIKE
Ghosts don't eat children.
BRIDGET
Oh, yes they do! Small kids are a ghost's favorite treat. (BRIDGET stands next to MIKE; forgotten for the time being.)
MIKE
I still don't know why she said those things to me. I was ten years old. I was scared shitless. I never rode the elevator alone after that. I'd rather walk up eight floors than risk meeting Mrs. Parnell, again, face to face. A couple months later we moved out of that apartment building. I never had to look at that greasy, smear of Mrs. Parnell's remains again. Of course now I know it wasn't true at all, but back then...
BOB
You believed it.
MIKE
Every word. I used to have the most frightening nightmares.
BOB
You still do.
MIKE
Yes. (DEB comes in from the wings as a 'squished' Mrs. Parnell. Her body is flattened. )
MRS. PARNELL
Remember me, little boy?
MIKE
Mrs. Parnell?
MRS. PARNELL
That's right. You're the little brat from apartment 820.
MIKE
But you're not real. You died along time ago.
MRS. PARNELL
I was murdered! Now I'm doomed to wander these halls for all eternity, and gobble up naughty little children.
MIKE
But ghost don't eat children.
MRS. PARNELL
Shows what you know. We love to eat children!
BRIDGET
I told you so.
MRS. PARNELL
Where are your parents?
MIKE
I don't know.
MRS. PARNELL
What are you doing here? Why are you all alone?
MIKE
I'm not alone. I'm with my cousin.
BRIDGET
(Starts to exit.)
Sorry, you're on your own.
MIKE
What? Wait! You can't leave?
BRIDGET
I have to go. You'll be fine.
MIKE
No, I will not be fine. Mrs. Parnell is going to eat me!
BRIDGET
No, she's won't.
MIKE
Yes, she will.
MRS. PARNELL
Yes, I will.
BRIDGET
Sorry, buddy. I have to leave. Good luck. (She exits.)
MIKE
Wait! Bridget, wait! Don't go! Don't leave me alone! (Mike collapses to the floor as MRS. Parnell looms above him. Suddenly she disappears in a flash and MIKE is left alone on stage; in the stockroom of 'The House of Bags' again.) Bridget? Bob? Bob? Where did you go? What just happened? Was that real? It felt pretty real.
BOB
(From the shadows.)
It was real. It was a dream.
MIKE
Well, which is it?
BOB
Why can't it be both?
MIKE
Because it can't. It's one or the other.
BOB
Says who?
MIKE
This can't be happening.
BOB
But it is, Mikey. It is.
MIKE
Who are you?
BOB
Why do you ask questions you can answer for yourself? You yourself said I seemed familiar.
MIKE
I said you looked like Mark Twain.
BOB
That came later. First you had the feeling that we'd met before.
MIKE
Yes.
BOB
Do you like Mark Twain?
MIKE
I haven't really read him since high school.
BOB
That's not what I asked. Do you like Mark Twain?
MIKE
Not really, no.
BOB
Mind telling me why?
MIKE
I don't know why, I just never have. Even when I was a kid, I thought he was... creepy. Yes, that's it. He was creepy. He scared me. Tell me who you are. Please.
BOB
Tell me why he scared you and I'll tell you who I am.
MIKE
(Simultaneously.)
I don't know. I think I saw a picture of him somewhere, maybe on a book, in an encyclopedia, or a portrait, I can't recall. Now I know as classic authors go, he was probably one of the most normal. He wasn't a Williams. He wasn't Poe. I just remember looking into his eyes, into his crazy, desperate eyes and thinking to myself, "He looks like the Bogeyman." The Bogeyman!
BOB
(Simultaneously.)
You know who I am. You remember who I was. When you were little I was there. When things went bump in the night, who do you think that was? The laughter that you could hear coming from beneath your bed, that was mine. Two glowing eyes staring out from you open closet door as you trembled in bed too terrified to sleep... me. It was all me. Give the man a prize!
Years later we meet again!
Years later we meet again!
MIKE
That's ridiculous.
BOB
Is it?
MIKE
I don't believe in that nonsense.
BOB
You did once.
MIKE
And then I grew up.
BOB
Yet, I still exist.
MIKE
This is crazy. This whole situation is crazy. I, I am obviously going crazy. You're a figment of my imagination. You expect me to believe all of this. That you're he, that... that you've come back, that you're real... No, I don't buy it, not for one second.
BOB
I don't have to prove anything. You know, deep down, that I'm telling the truth, whether you buy it or not.
MIKE
But why?
BOB
Don't ask me? I don't want to be here. I shouldn't be here.
MIKE
I'm a grown man.
BOB
Exactly my point. This is embarrassing. I left you behind years ago.
MIKE
You left me behind? I outgrew you.
BOB
Obviously not. Here I am. So what are we going to do about this, Mikey?
MIKE
Don't ask me. You're the expert.
BOB
Oh, now I'm the expert. A few seconds ago you didn't believe in me. I was a figment of your imagination. You need to make up your mind. Do you believe in me or not?
MIKE
I guess I do. I mean I have to, you're standing right in front of me. The eyes don't lie.
BOB
Don't be so sure.
MIKE
Had to be the 'House of Bags', huh? I couldn't have taken a job at a youth center, a temp job, or some fast food dump?
BOB
It wouldn't have mattered where you went. You are the reason I'm here. Somehow, you did this... you are responsible.
MIKE
But I didn't do anything!
BOB
Maybe that's it. Maybe that's exactly right. That could be why I was able to come back. You're still the same person. You haven't done anything since I left.
MIKE
I've done stuff. I have. I grew up, graduated college, went out into the world and lived, decided to go to law school; criminal law, and got married.
BOB
(Mocking.)
Didn't take the BAR, chickened out and took a job here.
MIKE
I didn't chicken out! What's wrong with this job? I like it here.
BOB
Nothing's wrong with it. 'A zombie could do it', but hey, I'm no judge - and you are not a lawyer. Why is that?
MIKE
I don't know. I graduated with the top of my class; even did fairly well on the BAR. One day I just started to wonder what difference it all makes? The world, the way it is... one more well-intentioned lawyer isn't going to matter. Tell me if I'm wrong but I don't see the point. And if there isn't a point, why go through with it? Why set yourself up for such a monumental disappointment? After spending all that time pursuing, what I thought was, a noble cause the bottom fell out. There was nowhere to go. Do you know what I mean?
BOB
No. It sounds like a load of horse manure to me? 'Noble cause'? Did you really think that that's what you were doing; pursuing a 'noble cause'? Did you wake up everyday and say to yourself, "Well, time to go and pursue my noble cause."? What are you, Superman? Mikey; Defender of Truth, Justice, and the American Way! My hero!
MIKE
That's not what I meant.
BOB
No wonder you failed. Who could live up to all of that pressure?
MIKE
I didn't fail anything! I chose another path.
BOB
You ran off with your tail between your legs. This isn't a path, this is a diversion. This is a lame attempt to fool yourself into believing that you haven't given up; but you have.
MIKE
No, I haven't!
BOB
Wake up. This isn't you. You'll never be happy here. You'll never feel right about your decision.
MIKE
So what am I supposed to do? Forget all of my doubts, my fears and fight for what I feel is right?
BOB
Yes. That's why you went to law school. If you fail then you fail, but you've got to at least try. Argh, I'm wasting my time. I sound like an afterschool special. (BOB starts to exit.)
MIKE
Where are you going?
BOB
It would seem I'm going nowhere, fast.
MIKE
I guess we, at least, have that in common.
BOB
But you can change that. I shouldn't be here. I've got better things to do. You've got better things to do. You need to fix this. Oh, and about your wife?
MIKE
What about her?
BOB
If you love her - every now and then take your head out of your ass and let her know it. You're not in this alone.
MIKE
That's what she says.
BOB
But you never listen. Mark Twain once said, "Keep away from people who try to belittle your ambitions. Small people always do that, but the really great make you feel that you, too, can become great."
MIKE
Great? I'd settle for just normal.
BOB
I'm counting on you.
MIKE
(Turning away.) You're counting on me. Everyone's counting on me. Who can I count on?
(BOB has disappeared. After a few moments. MIKE crosses to his desk. He picks up the phone but does not dial. He hangs up. Lights out. The end.)
(BOB has disappeared. After a few moments. MIKE crosses to his desk. He picks up the phone but does not dial. He hangs up. Lights out. The end.)